
Manhattan Surrogate's Courthouse - 31 Chambers Street by Ralph Selitzer
Ralph Selitzer was a professional writer and editor who took photos to illustrate stories he wrote for various trade publications. But he never considered himself a photographer. Now retired from publishing and at age 72, he is a full-fledged cameraman, put in charge of updating photographs of New York City’s municipal buildings.
Selitzer and the Department of Citywide Administrative Services (DCAS), the agency that manages the buildings, connected through ReServe. Without claim as a professional, his application listed photography among his skills. “I had to hold the camera,” he said later, “but I never considered myself a photographer.”
Selitzer’s work for DCAS appears on the DCAS Web site for historical and commercial purposes-of particular interest to location scouts seeking backgrounds for film and television shows. “Law and Order shoots extensively outside our buildings,” Mark Daly, the agency’s communications director, says.
DCAS had worked with ReServists in the past-to help ensure compliance with Equal Employment Opportunity Commission rules, for example, and to help with professional development in various city agencies. So once again, it turned to ReServe, which tapped Selitzer.
Selitzer, a native New Yorker, had majored in journalism at New York University. “I’m interested in how everything works,” he says, rationalizing why he became a reporter for a series of trade magazines that took him inside an array of industries. The magazines included Dairy & Ice Cream Field, Industrial Photography, and Progressive Grocer. The American Business Press awarded him the Jesse H. Neal Editorial Achievement Award for his editing at Apparel Manufacturer.
Because Selitzer could sell as well as write, he became editor and publisher of another apparel industry magazine, Private Label, and was the founder and publisher of Doctor’s Shopper, which reported on the business and lifestyle of New York doctors. As a spin-off from the magazine, he also ran Physician’s Expo, a biannual trade show.
But after 11 years, managed care had so altered the economics of doctors’ lives that the trade show and the magazine grew less successful, and Selitzer retired. He was restless, however, and responded to a mailing from ReServe. Although he listed photography among his skills, he saw it as journalism, as amplification of his stories.
ReServe first asked Selitzer to photograph its staff for an annual report and to take photos of a media event. Then the NYC Department for the Aging assigned him to photograph 131 senior centers. Then, Daly asked him to shoot 51 of the city’s 54 buildings, a crazy quilt of structures, large and small, new and old, sleek and ornate, chilly and warm, grandiose and self-effacing.
Daly introduced Selitzer to the project at the Brooklyn Civil Courthouse. He says he was struck by Selitzer’s instinct for finding just the right angle to capture the building’s power. Selitzer asked to return when the light and the traffic in front of the building would allow for a better image.
Next, they traveled to Brooklyn Family Courthouse where Selitzer pointed out that the best photographic angle would be from the roof of an adjacent building. “Ralph knew better than I did how to complete the assignment,” he says. It was Selitzer’s first project shooting architecture, but Selitzer explains, “It’s journalism, not photography. It’s a way to communicate a concept, an idea.”
There were a few moments of drama along the way. While Selitzer was photographing the Queens Family Courthouse, a police officer detained him and confiscated his camera. Selitzer asked the officer to call Daly, who persuaded him to free both the photographer and the camera. Daly then provided Selitzer with a DCAS identification card to forestall further hassles.
When the new photos were posted, Selitzer decided that the Web site’s text wasn’t much better than the old pictures, so he rewrote and edited it. In the end, Daly says, “The results exceeded our needs.”
Selitzer’s photos for DCAS are on the Web. The site, he says, “tells the public about the buildings you own.” He also has a Web site of his own, with prints for sale. “I don’t consider myself an artistic photographer,” he says, “but I’m starting a whole new life because of ReServe.”
http://www.nyc.gov/html/dcas/html/resources/build_slideshow.shtml.
http://selitzerphotos.shutterbugstorefront.com/g/